Review: The Falls
By David Walker (www.davidrwalker.co.za)
Unlike Ang Lee’s Oscar winning 2005 film Brokeback Mountain, American director Jon Garcia’s film The
Falls is not big budget, overlong or does not feature any major Hollywood stars. Instead The Falls is a
nuanced and superb analysis of how two young men find affection and sexual attraction for each other in
the confines of a repressive religious context in this case the Mormon religion in the North Western
United States.
Set mainly in a small town, The Falls follows two young men as they have to share a room together during
their guidance training in Oregon, who are both cut off from family and any normal youth influences.
Their rather sombre mission is to convert as many of the random townsfolk to Mormonism and guide
new believers into their religion.
This proves rather difficult, when the two gorgeous but naïve young men R. J. and Chris harbour sexual
feelings for each other, spurred on by a rather funny and quirky visit to an Iraqi war veteran who offers
them some pot. Soon their inhibitions and moral instructions fly in the face of conventional Mormonism
which is restrictive to say the least.
In one of the funniest scenes in the film, R. J. and Chris are smoking weed and watching the animated film
Finding Nemo as the reclusive drop out war veteran comments “what could be funnier than having two
pot smoking gay Mormons in my living room!”
On a more serious note it’s when the rigid Elder Harris discovers Chris and R.J. in a compromising position,
he reports the two men to the Mormon Church elder and soon their parents, the Church and the
community are forced to confront the couple’s homosexuality and the young men have to make a choice
whether to continue their relationship or abandoning their own sexual feelings for the strict Mormon
religious conventions which govern their lives.
What director Jon Garcia does so brilliantly is that he never makes fun of the Mormon religion or belittles
their belief system, but rather subtly shows how homosexuality obviously does not have a place in such a
family orientated and conservative religion which cherishes procreation, the sanctity of marriage and a
strong conversion ethic.
Naturally setting The Falls in Idaho and Oregon so close to Utah and the epicentre of ultra conservative
Mormon beliefs Salt Lake City, director Garcia makes a valid if not slightly amusing point that the stricter a
religion is, the less likely that any deviation is tolerated. And boy, do these boys deviate! The title of the
film, The Falls refers to a place in Idaho where young R.J. witnesses a lot of homosexual activity, basically a
discreet cruising spot in the city centre.
The Falls is well acted, wonderfully directed and cleverly conceptualized which will definitely find a
broader appeal than being its immediate LGBTI target audience. Definitely recommended viewing and not
to be compared with the much hyped but equally superb mainstream film about repressive love,
Brokeback Mountain.
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Edition 006 - May 2015